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FILM QUARTERLY
Quarterly Scholarly Journal from Berkeley ,United States

- First issue: 1958
- Articles covering the entire field of film studies.
- "Interviews with innovative film- and video-makers, writers, editors, and cinematographers; readable discussion of issues in contemporary film theory; definitive, thoughtful reviews of international, avante garde, national cinemas, and documentaries".
- Started as "Hollywood Quarterly" (1945-1951).
- Was called "The Quarterly of Film Radio and Television" from 1951 to 1957 (ISSN: 1549-0068).
- Published by University of California Press Journals Division
- Website: www.filmquarterly.org

Last updated:
27 December 2023
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Pierre Greenfield
Brian Poynton
Scott Matheson
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CONTENTS: 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

GALLERIES: 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Vol 29 # 2
Winter/December 1975

Director Under The Influence (article on John Cassavetes by David Degener); NASHVILLE: An Interview Documentary (article with interview material by Connie Byrne and William O. Lopez); The Spectator-In-The-Text: The Rhetoric Of STAGECOACH (article by Nick Browne); Cuban Cinema: Tomas Guiterrez Alea (article by Margot Kernan); Interview: Pier Paolo Pasolini (by Gideon Bachmann); Reviews: NIGHT MOVES; CONVERSATION PIECE; LE COUSIN JULES; A FILM ABOUT SHARON; CONNIE CONSOLO.

Vol 29 # 1
Fall/September/October/November 1975

Vol 28 # 4
Summer/June/July/August 1975

John Ford: A Reassessment (article by Michael Dempsey); Retreat From Romanticism; Two Films From The Seventies (review article on RETOUR D'AFRIQUE and THE MERCHANT OF FOUR SEASONS by George Lellis); The Tyranny Of Convention In THE PHANTOM OF LIBERTY (article by Marsha Kinder); Antonioni After China (interview with Michelangelo Antonioni by Gideon Bachmann); Film Books: An Inexhaustive Survey (reviews of several dozen film books by Raymond Durgnat, Ernest Callenbach, Peter Hogue, Carel Rowe, Tom Schmidt, Ray Spangenberg and others); Reviews: THE PASSENGER; SHAMPOO; QUARRY.

Vol 28 # 3
Spring/March/April/May 1975

In Defense Of Sam Peckinpah (article by Mark Crispin Miller); Metz: Essais One and Film Theory (article by Brian Henderson); Style, Grammar And The Movies (article by Bill Nichols); Reviews: THE GAMBLER; CALIFORNIA SPLIT; ALICE DOESN'T LIVE HERE ANY MORE; SANATORIUM POD KLEPSYDRA (aka THE HOURGLASS);Books: reviews of "Film And The Narrative Tradition"; "Jean Renoir"; and "Kuleshov On Film".

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